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Showing posts with label afffinities. Show all posts
Showing posts with label afffinities. Show all posts

Saturday, March 23, 2019

Learning as we please... (Not always a joy)


Mason says education requires effort, sometimes strenuous labour, and it is not a casual and desultory matter. 

Desultory: No set plan. Haphazard. Random.  Jumping from one thing to another. Disconnected.  Lacking purpose or effort.

If we hold that light and easy view of education, she warns, our children are likely to turn out like the character of Edward Waverly, protagonist of Sir Walter Scott’s novels about Waverly:


“Edward Waverley, we are told, 'was permitted in a great measure to learn as he pleased, when he pleased, and what he pleased.' That he did please to learn and that his powers of apprehension were uncommonly quick, would appear to justify this sort of education. But wavering he was allowed to grow up, and 'Waverley' he remained; instability and ineffectiveness marked his course. The manner of his education and its results are thus shortly set forth:––
"Edward would throw himself with spirit upon any classical author of which his preceptor proposed the perusal, make himself master of the style so far as to understand the story, and, if that pleased or interested him, he finished the volume. But It was in vain to attempt fixing his attention on critical distinctions of philology, upon the difference of idiom, the beauty of felicitous expression, or the artificial combinations of syntax. 'I can read and understand a Latin author,' said young Edward, with the self-confidence and rash reasoning of fifteen, 'and Scaliger or Bentley could not do much more.' Alas while he was thus permitted to read only for the gratification of his amusement, he foresaw not that he was losing for ever the opportunity of acquiring habits of firm and assiduous application, of gaining the art of controlling, directing, and concentrating the powers of his mind for earnest investigation––an art far more essential than even that intimate acquaintance with classical learning which is the primary object of study."
Waverley but illustrates, what Mr. Ruskin says in plain words; that our youth––whatever we make of it––abides with us to the end…
So it behoves us in youth to apply both Strenuous Effort and Reverence.– strenuous attention is a precondition for being receptive to making the most of the connections and forming the affinities and relationships that we are made for.  We don’t magically know what we ought to know. To be producers, makers, rather than spectators and mere dilettantes  we must apply ourselves and “must learn the rules with all diligence and get skill by his labour. It is true, 'the labour we delight in physics pain,' but it is also true that we cannot catch hold of any one of the affinities that are in waiting for us without strenuous effort and without reverence.”
 The student who would grow and learn, even for things he or she loves (the things we love especially deserve this) must apply “attention, labour, love, and reverence. He gets joy in return, so is perhaps little conscious of effort; but the effort is made all the same.”


It's okay if your child has to work at lessons.  Strenuous effort is the starting place, and the rewards don't really come without it.

For understanding reverence, she recommends reading about Brother Lawrence

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$5.00- Education for All, vol 2- the Imagination (and more) issue!- transcript of the imagination talk from the AO Camp meeting, with additional material I had to cut to save time.  
   
 $5.00- Education for All, a new CM journal,   Feed Your Mind!  This issue contains several articles on handicrafts, outdoor play, nature study and science. See sidebar for purchasing options if you are in the Philippines.



 $3.00 Five Little Peppers and How They Grew Copywork (grades 2/3, carefully selected with an eye toward finely crafted sentences, lovely bits of writing pleasant to picture in the mind's eye, and practice in copying some of the mechanics of grammar and punctuation typically covered in these years.


  $3.00 Aesop's Fables Copywork for Year One!  Carefully selected with an eye toward well written sentences, memorable scenes, and some practice copying sentences that model the basics of capitalization and punctuation.   Suitable for use with children who have already mastered the strokes and letters for basic penmanship.

Picture Study!  Miguel Cabrera's beautiful, diverse families, painted in 18th century Mexico this package includes 9 downloadable prints along with directions for picture study and background information on the artist and his work. $5.00

Common Kitchen:  What's for lunch?  Isn't that a common problem in homeschooling families?  What to fix, what is quick, what is frugal, what is nourishing?  How can I accomplish all those things at once?  We homeschooled 7 children, and I was a homeschooling mom for 29 years on a single income.  I collected these recipes and snack ideas from all over the world.  These are real foods I used to feed my family, my godsons, and sometimes my grandkids.  Includes some cooking tips and suggestions for sides, and for a variety of substitutions.  I think every family will find something they can use here. $5.00

Monday, January 28, 2019

Charlotte Mason is a Liberal Arts Education

You either already know, or you have heard, that a Charlotte Mason education includes the idea that education is the science of relations. You may have heard about affinities.  But what does this mean, practically speaking?  Here are some thoughts taken from a Parents' Review article;

we don't train prize pigs
Goal: to give ideas and experiences in as many branches of our relationships as possible. (relationships with the natural world, the technological world, relationships with the story of mankind past and future, and the chief relationship, that with the creator).

This type education is not taught by making it as your goal to teach them 'all about' a country in their geography lessons, for example. Rather, when we study geography, to spark such interest in and curiosity about the places in our reading that they will want to discover more on their own, and they'll look into books of travel, and make plans one day to travel to the place itself, to view its panoramas or take their share in its future destinies.

How?


  • "First.--Proceed from what is known to what is unknown, in other words touch upon old associations with former lessons or experiences before plunging into something fresh.
  • Secondly.--Give simple ideas before complex.
  • Thirdly.--Work from the concrete to the abstract, or don't fly before you can walk.
  • Fourthly.--Illustrations are the hooks which fasten ideas to the mind.
  • Fifthly.--Reproduction is the only proof of retention, therefore narration or recapitulation must form a part of the each lesson.
  • Sixthly.--An idea is valuable in proportion as it enlarges the mental vision, forms the ground-work of a valuable habit, and is simple, clear, definite and suitable to the degree of experience in the pupil.
One other condition will affect our choice of ideas; they must be "interesting" in their nature or in their method of presentation.

This doctrine of interest explains why we should omit dry areas of foreign countries, strings of parliamentary enactments; what is interesting to us and therefore to the children, is the nature of the scenery of a country or the spirit of a bygone age."

"No lesson is valuable which does not promote self-activity by making the child think, exercising its powers of narration or reproduction, or laying the ground-work for some future mental habit, making the idea given a well-spring of activity."

Lap-books, scripted activity books assigned by the teacher, unit studies where the teacher makes the connection and gives the children activities to do- these are not 'self-activities' unless the child seeks them out and plans them himself.

"No, it is the child who has to become accustomed to an idea, or led to discover a fact with as little of the teacher as a middleman, and as much "direct trading" as possible.

Therefore we teachers often have to pass a self-denying ordinance, and instead of showing off to our children how much we know, we take our children to the fountain-heads of knowledge and stand by in "masterly inactivity" which they drink."

Which subjects are chosen, and why:

Bible- for ethics and a closer relationship with their Creator.
"We do not, even for tiny children, advocate "Bible stories," but actual passages from the sacred text, for the wonderful grand old English in which it is written has been more than one great writer's school of language, and will, with necessary explanations, be far more impressive and likely to carry the contained idea, than the paraphrase of some well-meaning but common-place teacher."
(note: there were at least two other more contemporary translations than the KJV available in Miss Mason's time and there were multiple Bible story books available).

     Secular History: to give them heroic ideas, hearts full of brotherly love, patriotism, and the desire to do and be for the good of others!
That the past shall for them be peopled with noble examples, dear friends, and awful warnings--not for nothing did "Boney" take the place of "bogey" in the nursery when Napoleon was devouring the world.
We want the children to learn their history lessons, not "William the Conqueror, 1066," but God's dealings with humanity, the sequence of cause and effect; we want to train their moral judgment, that they may put the motive before the deed, nor dub all men with neat little labels of good or bad.

How: Life stories of the great; readings from original and contemporary or standard and classical sources; select from the best authorities such passages as will most vividly leave with the children the spirit and ideas of the time, not teach naked facts from a miserable text-book.

Century charts- the children fill the small square allowed for each year with little pictures, drawn by themselves, of the events which have struck them most, anecdotes, pictures, connection with places familiar to them, reference to events in their own experience illustrating the same forces at work.

Literature: The dividing line between history and literature is almost imperceptible.
If the child learns his history at first hand from the writings of the times, whether they be the Saxon Chronicles or _With Kitchener to Khartoum_, the phraseology will help him as a model on which to form his own, as well as a key to the spirit of bygone ages.
In studying the masterpieces of literature we do not learn about them in text-books (though we must concede a point by using the invaluable little Stopford Brooke to show us in what constellations the bright peculiar stars shine), but we introduce the children to the first sonnet, or to Malory's _King Arthur_, or Tennyson's _Idylls_.

We choose the children's books, not on the score of "prettiness," but on account of the score of their true literary flavour; _Robinson Crusoe_ and _Don Quixote_ are quite as much literature as Macaulay's _Essays_ or Gibbon's _Decline and Fall_.

We therefore choose sundry really valuable books, which are to be read to or by the children every term, not leaving their literary taste to be formed by the first story-book which catches their fancy.

As we study the history of many nations and of many times, the Hebrew race, the Ancients--Greek and Roman, and the modern peoples of Europe, so we must also study their literature; older pupils will work at the "classics," works crowned by the French Acadamy, the masterpieces of Goethe, etc., in the language in which they were written, while for younger pupils there is the wonderful classical library now published by which we can enjoy Plato, Virgil, Petrach or Racine in our mother-tongue.

Learning to read- Our method for that "battle"--learning to read--is, teach by the eye as well as the ear.
Choose words which convey an interesting idea to the child and he will as readily learn to recognize robin-redbreast, as one-syllable words like "cat."
Then if he knows the sounds, not the names of his letters, he can build up Bobbin, Dobbin, or any number of words from those already familiar, and put the words he already knows into different and yet sensible order, and the sense of power gained will be tremendous!
There will then be (supposing the child to learn to recognize five new words a day, build up others on them, and finally make them up again out of loose letters and put them into sentences of his own) no gap between reading, spelling, and composition, they follow one another in natural and reasonable sequence.
This is followed by grammar, which is also learned contextually at first, rather than through workbooks, through the introduction of names for the ideas with which the child is already familiar- we use words to make sentences and convey thoughts. Sentences which are about nobody or nothing are not sensible and do not convey complete thoughts- and so on (more in volume one)

Foreign Languages- taught by immersion, orally, not through textbooks and worksheets, best learned from a native speaker.
We believe in the necessity of learning as many languages as possible, because we believe in that "open-door" policy, and though a language may not be learned fully during school-days, even a slight familiarity with Italian, for example, may lead to --Dante?
Languages are valuable, not only as an end in themselves,but as tending to give us wider interests and sympathies with our fellow-men, and a more cosmopolitan insight.

Geography: The educational value of geography, both as alone helping us to understand all the intricacies of the former (how Holland's dykes kept her free, and how France had her two languages--the Langue d'oc and the Langue d'ocil) and as enlarging our conception of the wonderful, beautiful world in which we live, and of helping us to understand contemporary issues as well.
Maps should be part of daily life.
Comparison with what they know at home, on a smaller scale, or comprehension by contrast, as for example, "Imagine those green fields to your left reared straight on end, and they would be like the South Downs, etc,"--are valuable as bringing facts, very remote in themselves, within the children's experience. The first beginnings of geography--its foundations will be laid long before the schoolroom days, at home, for geography is essentially a subject which must progress outwards from the circle of the child's experience, he begins by learning to know a hill, a river, a field, a village, and to reproduce them in sand or clay.

Science: "teach the thing before the name."
"Go out," we say, "into the country, learn its sights, its sounds, its smells, learn the flowers by sight and by names, the creatures in their homes and by their customs, the stones of earth by their look and from touch, and the configuration of the country."
Then you will have learnt at first hand from the most wonderful books, and have something to classify and amplify in your later studies.
From their earliest babyhood children can and should be given interests and pursuits, therefore we encourage them to note their observations and to reproduce, however roughly at first, in their nature note-books, the treasures they have found, and above all we want them to have that loving interest in "birds, and beasts, and butterflies" which will teach them that life is a sacred cycle, not be tampered with, so that the protection of an apparently valueless lady-bird means fewer green-fly and therefore more roses and therefore more pleasure in life.

Astronomy (taught by identifying the stars you see in the night sky) should give ideas of awe, wonder, reverence, and our own insignificance. In the same way, in every branch of science the children will be led to see the Creator in the created, to reverence life and enjoy it, and to gain that largeness and sympathy and catholicity of interests, which an open-air life or the love of it seems to bring.

Mathematics.--We turn from the sciences of facts as we see them to the science of facts as they must be.
Truth is the key-note and core of mathematics.
There is no "nearly right" or "probably is so" or "certainly may be" about 2+2=4.
Logic, the putting of two and two mentally and inevitably together, and truth in all her majesty and tidiness are to be the mental acquisitions gained from arithmetic, Euclid and algebra.
How then do we teach them?
Why we try to crystallize the idea of numbers by treating each fresh number that the child learns to count to an analysis comprising the four great processes, for example, 6=5+1, 6+2x3, 6=8-2, 6=3+3, 6=4+2, 6= 12/2, 6=2+2+2, 6÷2=3, etc.
Concrete before abstract
Geometry trains the mind to severe reasoning, the hand to absolute accuracy, and it lies at the root base of many important and honourable professions, which is a real though utilitarian reason why we should teach it.
The child begins to learn geometrical truths when he finds out that the top of the table is a flat thing with edges (a plain surface) and that the parallel hedges of the high road do not meet together in the far distance.
It is on this common and already existing knowledge on which we must base our first lessons on geometrical definitions and axioms.

Art:
The recognition of the beautiful and the cultivation of taste are, we hope, to form part of our children's education and character.
It is only what we have truly seen that we can truly reproduce; hence, observation is enormously trained by art-teaching.
We want the children to get form, colour, and gesture, so we sit them down before some flower or object, already interesting to them...

Nature Note-books
But execution is only one side of art, appreciation is the other, and this we try to give the children by putting them in the way of seeing beautiful pictures which convey noble ideas.

Manual Training.--But art is a wide word, covering many fields, of which painting is only one.
The child is only truly educated who can use his hands as truly as his head, for to neglect one part of our being injures the whole, and the learned book-worm who is ignorant of the uses of a screwdriver, also lacks that readiness and resourcefulness, mental neatness and capability, and reverence for labour and its results, which a knowledge of practical matter gives.
Any work which employs the creative instinct to good purpose and produces a reputable and artistic result (not mere exercises which waste the children's time and material for nothing) finds favour with us.
Basket work, wood carving, etc., all so adapted to the children's age and capabilities that they may be able to attain a habit of perfect execution, and that sense of the mastery of our spirits over matter which is surely part of our divine heritage.

Music: Here we plead that children may be taught its wonders and its history from the first, and get idea of key, scale, etc., by ear as well as by mere telling and teaching.

Physical Education: Grace, and health, and development are the children's right, and necessary if they are to have healthy bodies and healthy minds.
We would also have that prompt obedience to command, that quick self-discipline which, when they become habitual, will influence the whole, not merely the physical life.
Swedish drill, military dumb-bell exercises, and the old Greek deftness and grace with the ball, will clear away mental cobwebs by their delightful alertness, and prepare fitting temples for the beauty of character.

However- these are our ideas and goals for educating children.
We don't train "prize pigs," we educate children in keeping what whatever we dimly discern are God's gifts to them of especial environment, circumstances, talents, and disposition.
The personal influence that one good life may have, widening out from generation unto generation, is an inspiration, and if the child in our care will only be what God meant it to be, we shall be amply rewarded.
We cast our bread upon the waters, and often sow in tears of discouragement, but we believe that after many days we shall find it again and return rejoicing.

A Charlotte Mason education is a wide and generous education because we wish to have broad or wide and generous minds. It isn't always easy, especially to those of us who were defrauded of a meaningful education.  It is worth the effort.  The rewards are also wide and generous.
Take heart.  You can do what you need to do.  This will not look like exactly what I did, or precisely the same as that person with the lovely pinterest board or the perfect nature study book. It will look like it ought to look for your family. Start with the principles and build from their. Practices are useful, but they will vary.



Adapted from and often quoted directly from this 1899 article of the Parents' Review.    Since it was 1899, the nationalistic fervor was a bit strong for my tastes, as was the optimistic view of the messianic nature of education.  WW1 would later put that optimistic spirit to shame and even break its heart and shatter its hopes.

Next (soon to come)

Affinities and Picture Study

In Childhood, the Prelude, William Wordsworth refers
“To those first-born affinities that fit
Our new existence to existing things,
And, in our dawn of being, constitute
The bond of union betwixt life and joy.”
Webster’s 1828 Dictionary gives several meanings for ‘affinity:’
1. The relation contracted by marriage, between a husband and his wife’s kindred, and between a wife and her husband’s kindred; in contradistinction from consanguinity or relation by blood…
2. Agreement; relation; conformity; resemblance; connection; as, the affinity of sounds, of colors, or of languages….
According to Dictionary.com, it is more than merely a synonym for liking. It involves bonding, forming a connection, a relationship:
…3: kinship by marriage or adoption; not a blood relationship…
5: a close connection marked by community of interests or similarity in nature or character; “found a natural affinity with the immigrants”; “felt a deep kinship with the other students”; “anthropology’s kinship with the humanities” [syn: kinship] 6: inherent resemblance between persons or things 7: a natural attraction or feeling of kinship; “an affinity for politics”; “the mysterious affinity between them”; “James’s affinity with Sam”
Source: WordNet ® 2.0, © 2003 Princeton University (see Dictionary.com for more, much more)
Charlotte Mason referred to Wordsworth’s poem when she said that one of the chief duties of parents is to help our children
“make valid as many as may be of – –
‘Those first-born affinities
That fit our new existence to existing things.”
She says that
Education is the Science of Relations;’ by which phrase we mean that children come in to the world with a natural ‘appetancy,’ to use Coleridge’s word, for, and affinity with, all the material of knowledge; for interest in the heroic past and in the age of myths; for a desire to know about everything that moves and lives, about strange places and strange peoples; for a wish to handle material and to make; a desire to run and ride and row and do whatever the law of gravitation permits.” (Charlotte Mason, Volume 2, pp. 222-3)
Elsewhere in her six volume series she explains that that part of the idea that education is a science of relations entails an understanding that
“fulness of living, expansion, expression, and serviceableness, for each of us, depend upon how far we apprehend these relationships and how many of them we lay hold of…
Every child is heir to an enormous patrimony, heir to all the ages, inheritor of all the present.”
(Volume 3. pp.185-6)”
Towards that end, she says that
“[Every] child should leave school with at least a couple of hundred pictures by great masters hanging permanently in the halls of his imagination, to say nothing of great buildings, sculpture, beauty of form and colour in things he sees.”
School didn’t do that for me. My parents did a wonderful job of introducing us to poetry, literature, classical music, nature, history, and song, but we didn’t ever visit an art museum or discuss art that I remember. We had, however, one picture hanging on our walls that was not department store home decor. It was a print of a young girl in profile. She is reading a book. We did not know the name of the picture or the artist, and we never really talked about it, but I looked at it often while I curled up on the couch reading my own books.
A few years ago I was working on an art project for our homeschool, and I discovered my picture. It is ‘A Young Girl Reading’ by Fragonard. I was thrilled. I emailed my mother to tell her about it. I printed out a copy from the computer to look at. I excitedly told my children and husband that I had ‘known’ that painting from a child. Simply by seeing a copy of it on the wall of my childhood home, I had developed an affinity for it, and I believe that painting acted as a door to the world of the visual arts when I grew to woman’s estate. That print became a connection to a whole new world. How thrilling.
Even more thrilling was standing before the original in Washington, D.C. a few years ago at the National Gallery of Art. I was unprepared for the emotional response. Two of my daughters went ahead of us through the museum and discovered the painting first. They came back for me- “Mother, mother, we’ve found your painting.”
We rushed to the gallery where ‘my’ painting resides. I stood in front of it in wonder and profound happiness. I choked back tears. I tried to explain to my husband how much it meant to me, that this was the first, the very first painting I had loved, and how long I had loved it and now I was seeing the original. I was incoherent.
We saw many wonderful things at the NGA, most of them far superior in quality and subject matter than my girl reading. As it turns out, Fragonard could produce paintings like this in about an hour, using broad, sweeping brush strokes. I later read that he painted the girl’s collar  by first globbing on a thick mass of white paint, and then using the pointed end of the brush to quickly scratch the lines of the ruff through the wet paint, producing that lovely ruffle in a few seconds. I don’t care. I love it. I love it because of the connections I made with it as a child and the connections it made for me as an adult.
It keeps on making connections for me. Later I read this post on Rembrandt over at a blog called Suitable for Mixed Company. She says,
“Many years ago, I was broke and bored, and wandering around Vancouver, British Columbia. The Vancouver Art Gallery had a free day (or cut-rate day, I forget which) and was advertising The Dutch world of painting and it was handy. Expecting nothing more than a half hour or so’s diversion, I went in. And changed my life. Honestly, I was floored by what I saw. I was astonished to find that some of the Dutch Masters were drop-dead funny in their art. I wandered into another room and found myself in another exhibit, where I lingered over a case with da Vinci drawings, grasping for the first time the difference between good drawings and great ones. But Rembrandt. My gosh. I lost myself in Rembrandt and the other Dutch Masters.”
I got all choked up all over again just reading about somebody else getting choked up at an art exhibit.  I knew that feeling!  Here is a kindred spirit.  You will meet many others in your CM journey.  They won't all be using AmblesideOnline or even Charlotte Mason's ideas.  That's okay. 
There are several ways into the world of art appreciation- by which I mean the world where a piece of art has the ability to move you, touch your life, hold your attention, to matter to you, which is the only kind of art appreciation I really care about. It probably doesn’t matter so much how you get there. But do go, and take the kids with you.
For Further reading on CM and the science of relations, see here and here.